A cursed opal, a gnarled family tree, and a sinister woman in a green dress emerge in the aftermath of World War I.
After a whirlwind romance, London teashop waitress Fleur Richards can’t wait for her new husband, Hugh, to return from the Great War. But when word of his death arrives on Armistice Day, Fleur learns he has left her a sizable family fortune. Refusing to accept the inheritance, she heads to his beloved home country of Australia in search of the relatives who deserve it more.
In spite of her reluctance, she soon finds herself the sole owner of a remote farm and a dilapidated curio shop full of long-forgotten artifacts, remarkable preserved creatures, and a mystery that began more than sixty-five years ago. With the help of Kip, a repatriated soldier dealing with the sobering aftereffects of war, Fleur finds herself unable to resist pulling on the threads of the past. What she finds is a shocking story surrounding an opal and a woman in a green dress. . . a story that, nevertheless, offers hope and healing for the future.
This romantic mystery from award-winning Australian novelist Tea Cooper will keep readers guessing until the astonishing conclusion.
AMAZON | BARNES AND NOBLE | INDIEBOUND | KOBO
Hi Tea! Thank you so much for visiting Let Them Read Books!
Thank you so much for the invitation. It’s great to be here!
What inspired you to write The Woman in the Green Dress?
Without a doubt a book that was given to me by the local historian: A translation of Baron Charles von Hügel’s New Holland Journal, written during his visit to Australia from Austria between November 1833—October 1834. One section of it is devoted entirely to the Hunter Valley, the area where I live and set my stories. It was amazing to read his observations at the time. A line in the introduction of von Hügel’s journal sparked The Woman in the Green Dress. It said von Hügel’s journal had been transcribed by an amanuensis, a ghost writer. In a flight of fancy I dreamt up this character, Stefan von Richter, and the story began.
Did you get to go anywhere fun in the course of your research?
All of my books are set in the Hunter Valley of NSW, in Australia, an area bound by the Hunter, Hawkesbury and MacDonald rivers, and I spent a lot of time wandering the paths von Hügel took. Some you can drive today; others required a lot of hiking. I took several boat trips rediscovering the Hawkesbury River and the small riverside villages mentioned in the story and camped at Mogo Creek, where Della’s story begins. And of course I wandered the streets of Sydney. Many of the original buildings are still standing, but sadly Tost & Rohu’s shop on which I based The Curio Shop of Wonders is no more.
Did you learn anything in your research that surprised you?
I’ve been fascinated for some time by the prominent part women played in Sydney business in the nineteenth century. Jane Catharine Tost and, her daughter, Ada Jane Rohu, are two such women. They owned the taxidermy shop Tost & Rohu at 605 George Street, Sydney. Their customers included museums and scientific collectors as well as middle-class householders shopping for interior decor and fashion items. They won many awards for their work at International Exhibitions in London, Paris and New York. Known as ‘the queerest shop in Australia’, their business supplied the Australian Museum with many important specimens and boasted ‘the largest collection of genuine Native Implements’.