At the center of Byzantine society, fifteen-year old orphaned Anna Dalassena lives with her grandparents among the most powerful men and women in Constantinople. But the cutthroat politics of the Great Palace sends the family into exile in a distant corner of the mepire. Her bleak situation finally turns promising after meeing a handsome young soldier, John Comnenus, and his brother Isaac, before the are finally permitted to return home.
The vicious power struggles, uprisings, and betrayals at the highest levels of the empire push Anna and John unwillingly into its center as they struggle to deal with their own tragedies. When rebellion puts her life and those of everyone she loves at risk, is the reward a throne for her family – too big a gamble?
AMAZON US | AMAZON UK | BARNES AND NOBLE | INDIEBOUND
Hi Eileen! Thank you for visiting Let Them Read Books!
How did you first discover Anna Dalassena, and what inspired you to write about her?
When I first started immersing myself in Byzantine history, I was drawn to the story of Emperor Alexios I Comnenus, who was key to the revival of the Byzantine Empire after a period of about 50 years of mostly inept or corrupt rulers. I would randomly look for information about him and his family online, and I came upon a website written by a historian (I think she was from New Zealand) devoted to Anna Dalassena and full of details on her amazing life. Now I had often thought about writing historical fiction since I was teenager, but the topics I knew most about (English and Roman history) already had an abundance of fine novels written about them. I didn't want to write stories that had already been well told. After reading that website about the little-known Anna Dalassena, I almost felt like I had been tapped on the shoulder and been told, "This is who you are to write about."
What was the most challenging aspect of bringing her story to life?
The most challenging aspect of bringing her story to life was learning how to write fiction. I do analytical writing in my day job, which meant I had a good grasp of grammar basics, but writing fiction was a whole different way of writing. I took writing classes and learned a lot from my editor, writers' group, and beta readers. It's been a long process but so worth it.
What was your favorite scene to write in Imperial Passions?
I think it was the blinding of Emperor Michael V in the church. That's not something you read about very often, and I had a contemporary account of what actually happened, although not from Anna's point of view. It's the kind of dramatic event that gets readers' attention with its gruesome nature, and yet it's a completely accurate story.

